I’m hoping to attend one of those workshops in the near future, but this year I’ll probably have to just try for the week long Orson Scott Card workshop. Maybe next year I’ll have enough time off saved up to go to the six week Clarion workshop. Of course, I’d have to be accepted to these workshops, so I’m getting ahead of myself. I’m hoping my writing is decent enough, or has at least improved enough by application time to be accepted!

I was never attracted to short stories growing up. Maybe I was one of the few who didn’t have a short attention span and preferred novels. <shrug> Now though, I see the merit in pursuing this form of story. So, I’ve submitted a story to the Writers of the Future Contest and as I mentioned in a previous post didn’t even receive an honorable mention. I’ve re-examined the story and identified why a reader may not have wanted to go beyond the first couple of pages. Heck, maybe not even the first page. I’ve fixed those problems, but before I was able to identify them, I had ordered a couple of books that really helped me.

I was excited when Creating Short Fiction, by Damon Knight, Storyteller, by Kate Wilhelm, and Reading Like A Writer, by Francine Prose showed up on my doorstep. Knight and Wilhelm helped to found the Clarion workshop, so I was very interested in what they had to say. After reading their books I knew exactly what was wrong with my short story and have a much improved opening and complete story.

After having written a couple of novel length stories, tackling my first short story was difficult, and forced me to write more efficiently. I believe the short story is much more difficult to get right than a novel. In a novel, the writer has time to let things develop over the course of many chapters, and indulge in minor characters and side plots. In a short story there is little or no room for any of that.

Well, off to read a little Stephen Baxter, Manifold Time, before I hit the hay.